Price: £8.50 - £17.00

Motets and Organ Music by JS Bach

Organised by: Occam Singers
Start Date
21 October, 2023
End Date
21 October, 2023

Motets and Organ Music by JS Bach

In this challenging programme we will be performing three of the six motets now generally accepted to be by J S Bach, while our conductor Nicholas O'Neill plays two of the composer's best-known organ pieces.  For the listener, this is music that wears its technical difficulties lightly and will set feet tapping and spirits soaring.

Bach's motets represent some of his finest small scale choral writing, in music which was possibly initially heard at funeral or memorial services.

Lobet den Herrn (BWV 230) and Komm, Jesu, komm (BWV 229) are both in single movements, the former now generally accepted to have been written by Bach despite some doubts, and explore the form in single-movement spans for single and double choir respectively.  Jesu, meine Freude (BWV 227) is on an altogether more ambitious scale, a balanced form across eleven short movements with regular appearances of the chorale upon which the work is based.

Bach's reputation during his lifetime was mainly as an organist and improviser, and many of his most important organ works may have begun as extempore creations before being fleshed out and refined throughout his life.  The Fantasia and Fugue in G minor (BWV 542) may well have been first heard as separate improvisations, the fugue as part of an audition test for a post as organist at one of the churches in Hamburg, while the sectional approach of the fantasia and its bold and surprising harmonic shifts hint at a public demonstration of the composer's skill.  The 'Dorian' Toccata and Fugue in D minor (BWV 538), instead, makes full use of the contrasting colours of the instrument across the different manuals, the rhythmically intriguing fugue exploring how the perception of pulse and rhythm can shift to elude the listener.

All of these works show Bach at the height of his powers, writing effervescent individual lines which combine to delight both head and heart.  Examples of a performer and composer exploring the limits of what is possible in his language while never forgetting music's power to communicate and delight.

7.30pm - 9.30pm